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Get Paintings Reproductions Lost, 1886 by Frederick Mccubbin (1855-1917, Australia) | ArtsDot.com

Lost

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This work appears surprisingly in the artist’s oeuvre, his first masterpiece after a long and conscientious apprenticeship. His old friend, artist Tom Roberts, fresh from Europe, must have played a role in its genesis, bringing firsthand news of developments there, particularly of plein air practice in Britain and on the Continent. And then there was the lively art world in the ‘melting pot’ of ‘Marvellous Melbourne’, with artists arriving from all over the world. A particular influence among them would have been the Portuguese artist, Arthur Loureiro, who arrived in Melbourne early in 1885 and was a founder and council member, with McCubbin and Roberts, of the Australian Artists’ Association in 1886. Loureiro brought to Melbourne with him a landscape he had painted at Brolles in the forest of Fontainbleau, outside Paris. That painting, with its figure of a girl standing quietly in a birch forest, could be cited as a prototype for McCubbin’s Lost. The theme of the lost child had had a long literary and artistic tradition in Australia and was still topical in the 1880s.Text © National Gallery of Victoria, Australia
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Frederick Mccubbin

Frederick McCubbin was a prominent Frederick McCubbin, an Australian painter and art teacher, who played a significant role in the development of the Heidelberg School art movement, also known as Australian Impressionism. Born on February 25, 1855, in Melbourne, Victoria, McCubbin studied at the National Gallery of Victoria Art School under several artists, including Eugene von Guerard and George Folingsby.

Early Career and Heidelberg School

McCubbin's early work was influenced by his studies at the National Gallery of Victoria Art School, where he met Tom Roberts, with whom he later collaborated. In 1885, McCubbin and Roberts established the Box Hill artists' camp, which marked the beginning of the Heidelberg School movement. This plein air art movement was characterized by its focus on capturing the national life of Australia, and McCubbin's works from this period are considered some of his best. McCubbin's paintings from this period include Down on His Luck, On the Wallaby Track, and The Pioneer, which are now considered icons of Australian art. These works showcase McCubbin's ability to capture the melancholic themes of European settlers' interactions with the bush.

Later Work and Style

In 1907, McCubbin traveled to Europe, where he was exposed to the works of J. M. W. Turner and French impressionists. This experience led to a shift in his art towards freer, more abstracted brushwork and lighter colors. His later works, such as An Interior, are considered by many critics to be his strongest artistically. McCubbin's work can be found in several museums, including the National Gallery of Victoria and the Art Gallery of Ballarat. His legacy continues to be celebrated as one of the most important figures in Australian art history. For more information on Frederick McCubbin and his work, visit the https://WahooArt.com website or check out the https://en.wikipedia.org/wiki/Frederick_McCubbin page on Wikipedia.

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